Back in 2006 NYC’s Soundpool completely came out of nowhere with their excellent debut On High, which was some sort of masterfully executed danceable shoegaze…at least that’s what I suppose it could be called. Wasting hardly any time the band have returned here in ’08 with their follow up Dichotomies & Dreamland released this past March through Aloft Records here in the US and through Quince in Japan.
While it’s hard to determine whether Dichotomies & Dreamland will change the minds of anyone that disliked the first record, I can say that fans of it will notice a few favorable changes here. The songs have been scaled back a bit from the full bore bouncy pop rhythms that were fluent throughout On High. Instead here we receive a much more ambient and mood driven version of Soundpool, loaded with textures, guitar effects, and a number of songs that are dictated by slow burning crumbles of feedback. Jumping between variations of the two easily works in their favor. The electronic side of the band has also taken on a greater importance, giving them a sound that resembles at times a sped up Bowery Electric or a fuzzier Boards of Canada or Broadcast.
Fans may not fully embrace Dichotomies & Dreamland at first, as it’s not as instantly catchy as their previous effort. However, it’s definitely a further advanced and accomplished album in that it doesn’t lean too heavily on one aspect of the groups sound. With multiple listens it easily proves to be the clear winner between the two in the end.
For those looking to pick up Dichotomies & Dreamland then head on over to Tonevendor and pick up this fine addition to the expanding list of fine 2008 releases. Soundpool are one of the bright spots amongst the rapidly growing shoegaze resurgence.
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Gotta say I love that Houston, TX scene that kind of got passed over
except for all the 'Funky Nassau' funk scene great bands that stole the
show back ...
2 days ago
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